The message conveyed by each artwork is undoubtedly multifaceted. While it reveals something, it also imparts a sense of concealing something else. In a way, they can be viewed as what Umberto Eco termed an 'open work.' Therefore, the composed paintings are polysemic entities concealed by a mysterious veil, rendered using a monochromatic, muted, and somewhat anemic palette.
They may reference the original context but are not confined to it. The themes presented in the films remain relevant today. By resurrecting the information absorbed from other media, in this case, film, the artist is primarily interested in creating paintings that are ambiguous and capable of evoking subtle social and political associationsVeljko Vučković's goal is to create paintings that are recontextualized but can still somehow retain the original cinematic aura when necessary.