Vittorio Bianchi’s work mainly moves in the spatiality of a gesture, namely that of laceration.
Vittorio Bianchi’s work mainly moves in the spatiality of a gesture, namely that of laceration. The two-dimensional nature of the materials used by Bianchi is systematically called into question by interventions that create absences and therefore open passages to other possible dimensions, underlining their fragility and at the same time the radical elegance and preciousness of what is torn. In fact, the fabrics used by the artist in his works highlight dedicated research ranging from Taiwanese silk to Italian lampas through monochromatic textures and elaborate prints, although not excluding contemporary fabrics of a technological matrix. His artistic research therefore also extends to the study of multiculturalism with a strong reference to the historicity of the treated materials, actually reuniting them with the time to which they belong.
Domenico de Chirico
