Her images are conceived roughly, naturalistically, and crudely, through the exploration of sculptural in a two-dimensional space. The range of colours simultaneously brings the viewer closer and farther from the original idea of the body, often contrasting strong, vibrant hues with natural skin colours. She cultivates a refined sculptural approach in accordance with her reflections and criticisms of aesthetic demands. The body is abstract, while at the same time, abstraction possesses corporality - despite being detached from an exact form, the viewer is able to intuitively understand the existence of the skin depicted on the canvas.
MINA RADOVIĆ (1988) is a multimedia artist whose projects spans across video art, painting and sculpture. She holds a degree in painting at the Faculty of Applied Arts in Belgrade where she also completed her master studies.
Mina earned her Interdisciplinary Ph.D. degree with the thesis in Digital Art at the University of Arts in Belgrade in 2018. Her PhD research is concentrated on theoretical work as well as a video installation called “Cut”. She was a lecturer at the Lekart Academy - Art Painting and Drawing department - and she is a member of the Association of Fine Artists of Serbia (ULUS). She presented her work in fourteen solo and numerous group exhibitions. Her work is a part of private and public collections in Serbia and abroad.
Her images are conceived roughly, naturalistically, and crudely, through the exploration of sculptural in a two-dimensional space. The range of colours simultaneously brings the viewer closer and farther from the original idea of the body, often contrasting strong, vibrant hues with natural skin colours. She cultivates a refined sculptural approach in accordance with her reflections and criticisms of aesthetic demands. The body is abstract, while at the same time, abstraction possesses corporality - despite being detached from an exact form, the viewer is able to intuitively understand the existence of the skin depicted on the canvas.