Excess, 2023
Mina Radović cultivates a refined sculptural approach in accordance with her reflections and criticisms of aesthetic demands.
Her images are conceived roughly, naturalistically, and crudely, through the exploration of sculptural in a two-dimensional space. The range of colours simultaneously brings the viewer closer and farther from the original idea of the body, often contrasting strong, vibrant hues with natural skin colours. She cultivates a refined sculptural approach in accordance with her reflections and criticisms of aesthetic demands. The body is abstract, while at the same time, abstraction possesses corporality - despite being detached from an exact form, the viewer is able to intuitively understand the existence of the skin depicted on the canvas.